Poetry
Top 15 in Poetry
Week of July 20, 2026
Top 15 in Poetry
Week of July 20, 2026
by Scott Masson
This study questions the Romantics' belief that the imaginative poetry of feeling could overcome the alienating effects of Cartesian rationalism, and reform civilisation by wedding the mind to this goodly universe. It begins by surveying modern hermeneutics, which attempted to develop a science of interpretation compatible with Romantic tenets. Underlying these was the belief that human nature itself could be known intimately and developed autonomously. Observing the repeated crises of self-legitimisation that thence ensued, it enquires into the purposes of the humanities. After examining how human nature had been understood in the Western tradition until the Enlightenment, the focus shifts to the attack in Coleridge's Biographia Literaria on Wordsworth's 1802 Preface to Lyrical Ballads, and to a reading of some key Romantic texts. It reads Coleridge's famous definition of the imagination as an attack on Romantic hermeneutics, rooted in the traditional view that man has been created in Imago Dei.
by Nikolaĭ Ėrdman
A satirical comedy about an unemployed 'little man' who contemplates suicide and is besieged by spokespeople of discontented groups, from butchers to intellectuals, who want him to turn his suicide into a gesture on their behalf.
by T. R. Hummer
Music, race, politics, and conscience. In these eight essays written over the span of a decade and a half, T. R. Hummer explains how, for him, such abiding concerns revolve around the practice of poetry and the evolution of a culturally responsible personal poetics. Hummer writes about the suicide of poet Vachel Lindsay, the culture wars at the National Endowment for the Arts, the 1991 Persian Gulf War, the divided soul of his native American South, and the salving, transcendent practice of musicianship. Inevitably entwined with a personal or cultural component, Hummer's criticism is thus grounded in experience that is always familiar and often straight to the heart in its rightness. In one of those statements of "poetic purpose" that goes hand in hand with a residency, guest editorship, or lecture tour, Hummer once wrote that "poetry inhabits and enunciates an incommensurable zone between individual and collective, between body and body politic, an area very ill-negotiated by most of us most of the time. Our culture, with its emphasis on the individual mind and body, teaches us very little about how even to think about the nature of this problem. . . . E pluribus unum is a smokescreen: what pluribus; what unum? And yet this phrase is an American mantra, as if it explained something." This is a quintessential Hummer moment: a writer has just given himself a good reason to quit. What Hummer knows must happen next is what The Muse in the Machine is all about.
by J.R.R. Tolkien
Many years ago, J.R.R. Tolkien composed his own version of the great legend of Northern antiquity, recounted here in The Legend of Sigurd and Gudrún. In the Lay of the Völsungs is told the ancestry of the great hero Sigurd, the slayer of Fáfnir, most celebrated of dragons; of his awakening of the Valkyrie Brynhild, who slept surrounded by a wall of fire, and of their betrothal; and of his coming to the court of the great princes who were named the Niflungs (or Nibelungs), with whom he entered into blood-brotherhood. In scenes of dramatic intensity, of confusion of identity, thwarted passion, jealousy, and bitter strife, the tragedy of Sigurd and Brynhild, of Gunnar the Niflung and Gudrún his sister, mounts to its end in the murder of Sigurd, the suicide of Brynhild, and the despair of Gudrún. The Lay of Gudrún recounts her fate after the death of Sigurd, her marriage against her will to the mighty Atli, ruler of the Huns (the Attila of history), his murder of her brothers, and her hideous revenge.
by Lawrence Durrell
In this new selection from the poetry of Lawrence Durrell (the first for thirty years), Peter Porter has drawn on the full range of the published work, from A Private Country (1943) to Vega (1973), and has provided a long overdue revaluation of Durrell's poetic career. In his detailed and generous introduction, Porter makes the case for A Private Country as one of the most accomplished debut collections of the twentieth century, and traces Durrell's preoccupations and poetic personality within the wider scene. The selection of poems makes its own strong case for the continuing power and originality of this attractive, metropolitan and wholly individual body of work.
by Billy Collins
A dazzling new anthology of 180 contemporary poems, selected and introduced by America’s Poet Laureate, Billy Collins. Inspired by Billy Collins’s poem-a-day program with the Library of Congress, Poetry 180 is the perfect anthology for readers who appreciate engaging, thoughtful poems that are an immediate pleasure. A 180-degree turn implies a turning back—in this case, to poetry. A collection of 180 poems by the most exciting poets at work today, Poetry 180 represents the richness and diversity of the form, and is designed to beckon readers with a selection of poems that are impossible not to love at first glance. Open the anthology to any page and discover a new poem to cherish, or savor all the poems, one at a time, to feel the full measure of contemporary poetry’s vibrance and abundance. With poems by Catherine Bowman, Lucille Clifton, Billy Collins, Dana Gioia, Edward Hirsch, Galway Kinnell, Kenneth Koch, Philip Levine, Thomas Lux, William Matthews, Frances Mayes, Paul Muldoon, Naomi Shihab Nye, Sharon Olds, Katha Pollitt, Mary Jo Salter, Charles Simic, David Wojahn, Paul Zimmer, and many more.
by Charles Baudelaire
In this classic of decadent poetics, the dark, troubled vision of Charles Baudelaire lives, growing like a tangled rosebush of prickling thorns, bringing the Satanic majesty of a fallen world into the metrical regularity of his poisoned pen verse. A French master every bit the equal of the gothic tragedian Poe, Baudelaire's "Flowers" encompasses and exposes a world of titanic grief and ultimate grace, wasted love and bitter, dark remonstrance. What are the dark, ugly byways and hidden, corrupt nooks of the human experience? A sweeping masterpiece of literary song. Online bookstore: www.lulu.com/zem66
by John Milton
A revision of the Prentice Hall edition of 1962.David Scott Kastan preserves the quality and character of Hughes's richly annotated edition in this masterful revision, which includes a thorough updating of the text, notes, and bibliographies to reflect the scholarship of the last half-century. Kastan's new introductory essay engages the pressing questions the poem raises for contemporary readers, focusing on the literary, religious, and political dimensions of Paradise Lost that have made its reading a demanding yet always exhilarating experience.
by César Vallejo
A definitive, bilingual collection of poetry by one Latin America's most important poets features more than eighty poems that span the full range of his literary career, accompanied by an introduction that looks at Vallejo's life, his complex literary style, his leftist politics, and more. Original.
by C. S. Lewis
"Spirits in Bondage reveals the earliest published thoughts of C. S. Lewis. However, we find an unfamiliar Lewis--not the mature Christian but the young atheist cynic, who fought in the harrowing Great War. In these poems Lewis dreads the dangerous worls the keeps us from living meaningful lives" --
by Myung Mi Kim
"The poems in Commons are at once global and intensely personal and emotional. An immensely talented poet, Myung Mi Kim loves language - its internal rhymes, alliterations, and diverse rhythms. Caught off guard by the beauty and precision of Kim's language and the exquisite images she so deftly conjures, we are drawn unwittingly into a web of fragmentary memories that subvert what we think we know about the violent history that haunts her and never ceases to demand recognition."--Elaine Kim, author of Asian American Literature: An Introduction to the Writings and Their Social Context, and co-editor of Dangerous Women: Gender and Korean Nationalism
by Homer
The great war epic of Western literature, translated by acclaimed classicist Robert Fagles, and featured in the Netflix series The OA A Penguin Classic Dating to the ninth century B.C., Homer’s timeless poem still vividly conveys the horror and heroism of men and gods wrestling with towering emotions and battling amidst devastation and destruction, as it moves inexorably to the wrenching, tragic conclusion of the Trojan War. Renowned classicist Bernard Knox observes in his superb introduction that although the violence of the Iliad is grim and relentless, it coexists with both images of civilized life and a poignant yearning for peace. Combining the skills of a poet and scholar, Robert Fagles, winner of the PEN/Ralph Manheim Medal for Translation and a 1996 Academy Award in Literature from the American Academy of Arts and Letters, brings the energy of contemporary language to this enduring heroic epic. He maintains the drive and metric music of Homer’s poetry, and evokes the impact and nuance of the Iliad’s mesmerizing repeated phrases in what Peter Levi calls “an astonishing performance.” This Penguin Classics Deluxe edition also features French flaps and deckle-edged paper. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide
by Robert Creeley
"Robert Creeley is one of the most celebrated and influential of the postwar American poets. His Selected Letters, covering the years 1945-2005 are a foundational document in the recent history of North American letters. Through his engagements with mentors such as William Carlos Williams and Ezra Pound; peers such as Charles Olson, Robert Duncan, Denise Levertov, Allen Ginsberg, and Jack Kerouacl and mentees such as Charles Bernstein, Anselm Berrigan, Ed Dorn, Susan Howe, and Tom Raworth, Creeley helped forge a new poetry that re-imagined writing for his and subsequent generations. A stylist of the highest order, Creeley's letters carry the clear mark of consummate literary artistry and document the life, work, and times of one of our greatest writers"--
by Elizabeth Bishop
"Geography III," Bishop's final book of poems, first appaered in 1976. It contains such masterpieces as "In the Waiting Room," "The Moose," and "One Art."
